Tuesday, April 26, 2016

The First Time I Learned About Star Wars

My first movie experience was almost Star Wars.  I was six years old and my father wanted to take me to this new science fiction film.  But my mother, being a responsible parent, stopped him and said that he should watch it first to see if it would be appropriate for someone at my age.  So my dad took my brother to see it while my mom took me to see Benji.  Yep, my mother’s sense of responsibility made Benji my first movie rather than Star Wars.  Damn you good parenting!

My mom, sister and I got home first and we were in the kitchen when the door opened and my brother rushed in with his eyes wide.  My father was right behind him, his own eyes wide as well.  It was as though he had just seen a ghost doing gymnastics.  He told her that I had to go see this movie.  Not should, had.  Still being the responsible parent, my mother asked if it was age appropriate, and he vigorously nodded his head.

Soon after, we went to see it at the Stuart theater in downtown Lincoln.  It was a former stage theater from the days of grand productions.  It looked more like an opera house, complete with deep cushioned, plush, red seats, and etched mirrors in the lobby; and it played only the biggest movies.  I remember only bits and pieces of watching it.  In particular, I remember that I didn’t know what “terminate” meant, and when my mom explained that it meant to kill, I couldn’t believe they were thinking about killing Princess Leia.  It was the first time I remember feeling fear.  I didn’t understand yet that the good guys general win these movies; my exposure to television thus far had often been football, and in that, either side could win.  So I truly didn’t know that the rebels would win.  (Oh, spoiler alert.)

I also remember going to the bathroom during the scene when Obiwan Kenobi turned off the tractor beam, so I didn’t understand why the characters were able to leave.  For some reason I remember another older black kid in the bathroom with me.  I think I remember this because it was one of the first times I was using a bathroom alone, and I didn’t know how I was supposed to react to a stranger in a bathroom.  I wasn’t nervous with fear, I was nervous about my manners.  Am I supposed to look?  Am I not?  I think men and women react differently to bathrooms; we never get over our fear of looking at one another while in them.

After the movie, I remember going to the apartment buildings my dad owned and jumping in the pool.  We had taken a family friend, Jon, and he and my brother Trevor were reenacting scenes, especially the one in the trash compactor as though the walls were going to smash them in the pool, and the snake creature was underneath.  I remember one point when Trevor said, “we’re all going to be a lot thinner” and Jon responded, “At least I won’t have to iron my clothes anymore!”

In the years to come, it would prove to have an impact on me as strong as my dad predicted; especially with the toys.  My best friend Ryan and I collected as many figures as we could and created stories with them.  This became my first efforts at storytelling.


And then my father purchased making of documentaries on laser disk.  I began watching them over and over and over.  I was obsessed with how people made images that went on the screen; how storytelling could be visually explained, and how those images stirred the emotions.




Tuesday, April 19, 2016

Tales of a Failed Filmmaker: Stranded in Park City

I was traipsing through the fresh snow of Park City, heading through the darkness and drifting snowflakes toward my car in the parking lot.  It was the middle of the night, and the snow had been falling since 10.

I had seen it when it started.  From outside a club along the main street of town, the tiny white dots dancing toward the ground highlighted in the glow of the old fashioned lamp posts.  The white sheen of the streets got trapped by the walls of the quaint buildings, creating an all-too-perfect glow, like a painting of small town America.  Next to me, someone posted the results of the winners of the festival.  At the top was someone named Morgan Spurlock for a documentary called Supersize Me.  It didn't seem important at the time in January, 2004, but in retrospect I realize I was the first person in the world to learn that this groundbreaking film had been the winner at the festival.

I had been invited to the club by two women with whom I had shared a shuttle bus.  I shouldn't have been surprised that they didn't show up, though I later found that I had probably gone to the wrong club.  It was just as well.  I needed to head back to LA, and I had only enough money to pay for the gas to get me there.  I had a check waiting for me at home, but my ex-girlfriend, who had not yet left my apartment even after more than two months after breaking up with me, refused to help out by depositing it.

I had risked everything to go to Sundance.  I didn't have a film in the festival, but I did have a movie being developed.  We had met with a bunch of well-known actors, and Martin Sheen had offered to be a part of it.  I just needed investors, and Sundance was a way to get to these investors and production companies without being blocked by what I called the red velvet rope.

I had made some important connections, and now I just needed to get back to Burbank with them.  The snow was starting to come down hard now, and I needed to get off the mountain before I got blocked in.

That's why I was so horrified to see a tow truck with a small white lump on its back, my car, driving out of the parking lot.  I screamed in panic as I chased after, cutting across a nearby lawn to try to cut it off.  Much to my surprise, there was a hidden dip into which I suddenly sank up to my chest.  Stuck, I tried to push forward anyway.  But I could do nothing but helplessly watch my car be carried away into the darkness.

I was helpless, alone, more than half buried in the snow in the darkness of the middle of the night.  I was lower than the lowest point.  This is where a lifetime of trying to make it in the entertainment industry had led me.  Hundreds of miles from home without a car, no way to get to it, and not enough money to get it out and drive it home even if I did.

As I floated there in the snow in shock and hopelessness, my mind began to wonder how I had gotten there.  What choices had I made that brought me to this point that was lower than I expected life could ever get?

I will be exploring these choices, and my experiences, in this blog.  Whenever the title begins with "Tales of a Failed Filmmaker" I will be telling these stories from a journey of 25  years of trying to make it in the film industry, and failing.

I'm beginning this story now because this month, (in fact, this day,) marks the 20th anniversary of my arrival in Los Angeles.  I will not be telling this story in order; it would take too long to get to more recent tales, and I know I'll be remembering things out of order along the way.  So each story will be from a different point in time, and I'll do my best to explain the dates where I remember them.